• Peace (august 26 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing y collage
    Year: 2013

  • The arousing (april 16 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • The gentle (february 22 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • The abysmal (octuber 27 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing y collage
    Year: 2013

  • The receptive (november 26 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Contemplation (march 31 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • The well (april 11 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Waiting (february 10 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Modesty (june 27 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Meng youthful folly (december 2 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Preponderance of the great (october 10 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Conflict (february 5 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Duration (august 6 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • After completion (march 13 de 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Corners of the mouth (december 26 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Possession in the great measure (abril 3 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Dispersion (february 26 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • The power of the great (february 8 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Opposition (february 26 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Increase (april 29 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2013

  • Break-through (february 25 de 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Obstruction (may 14 de 2013)

    Dimensiones: 41cm x 52 cm x 8 cm
    Técnica: dibujo y collage
    Año: 2013

  • The taming power of the great (november 7 2013)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

  • Coming to meet (june 12 2014)

    Dimension: 16.1” x 20.4” x 3.1”
    Technique: drawing and collage
    Year: 2014

I CHING DIARIES

The I Ching is the essence of the Chinese Taoist philosophy. This book is attributed to different Chinese leaders, who collected, refined and improved the text that originated from oral wisdom.  This book is considered to be one of the most mysterious oracles that exists. There are people who believe that you need to have a special ability to interpret it… I simply dared to approach the book from a fairly spontaneous perspective, opening its pages at random and reading the content without any aspirations or preconceptions.  These drawings are essentially reading comprehension exercises and illustration of content. The text itself seemed to me to be so poetic and accurate -as if I were clearly speaking to myself in the first person- that I started writing in my journal those words that touched my heart and described and explained the most transcendental things of my life to me. Without realizing it, I started to draw about what I was reading and I understood that I was drawing the secrets of my unconscious. I drew what my own heart was processing, and this artistic experience became a meditation practice and a habit. Throughout the process, I discovered that I Ching is not a cryptic and mysterious oracle. In reality, it talks to all of us in the same way. It is like a living body that talks to the readers and confronts them. I also understood that you do not need to be an expert in philosophy, mysticism or theology… The secret is to surrender to I Ching and I Ching speaks. As usual, my essential interest is to develop an intimate aesthetic proposal, concentrating on exploring the psychological structure of individuals. I Ching is an infinite logbook that outlines the meanders of my own inner search. Thanks to this book, I have been able to prove how dynamic beings are.